Community

The Art of Collecting Antique and Vintage World Globes

Open Thursday, Friday and Saturdays from 10am-3pm or by appointment

Collecting globes is among the most democratic of all pursuits. Whether your interest lies in the rarest of the rare or in the readily obtainable…from status symbols to common schoolroom learning tools…from Victorian, deco and Bauhaus to mid-century-modern styles…there’s something for everybody.

Globes represent rich tapestries of history in a three-dimensional format, literally right at your fingertips. Truly, there are few things more fascinating than our earth, its people and the changes which affect us all. Globes are also time capsules which take you back to witness the period in which they were made: the ages of renaissance, exploration, industry, empire, conflict, communication, trade and travel. Tightly woven in every globe is the rich, underlying story of human development.

However, to obtain information about vintage globes–how to date them, about the manufacturer, history, value or even how to maintain them–is difficult at best.

We hope to change that.

It is our goal to provide information on all aspects of collecting globes, including a link to the International Coronelli Society for the Study of Globes. The International Coronelli Society is the only world wide organization dedicated to the study and preservation of terrestrial and celestial globes and has graciously helped us create this site by providing important information.

This site is created by globe enthusiasts for globe enthusiasts. Our goal is to have the most comprehensive website for information pertaining to terrestrial and celestial globes–from its historical development as a scientific instrument to assistance in how to date a sphere, listing of manufacturer to a pictorial archive of globe models. We will continuously provide new information and encourage you to share as well.

In addition, we hope to provide a platform for a collector’s forum. It doesn’t matter if you view globes as a financial investment or attractive décor statements. Here is your opportunity to share how you have “gotten into globes.” You’re invited to send pictures of your collection, no matter what style, design, of value or size the spheres may be.

And yes, we also offer terrestrial and celestial spheres and related merchandise for purchase. Omniterrum has grown from a passion for terrestrial spheres into a business providing collectible globes to private individuals, premier antique dealers and museums worldwide.

We also provide consultation for globe identification and authentication. Like art, collecting globes can be seen as an investment. In our experience, appreciation of value is a side benefit of the avocation. By far, the majority of globes we find for collectors become multi-generational heirlooms.

Our hallmark is our integrity. We believe that the better informed you are about globes, the more we both benefit. That’s why we disclose everything, from condition to history about every globe we offer.

Our worldwide network enables us to locate and acquire globes from a far range of past as well as present manufacturers.

We strive to exceed your expectations. When you obtain a globe from Omniterrum, we hope it’s more than just a purchase. We would like to view it as the beginning of a relationship we anticipate will span generations.

Thank you for visiting. We hope to hear from you soon.

I have taught art for twenty years in Lynchburg—not only privately, but by offering classes through the Academy of Fine Arts, the Lynchburg Art Club, and the Lynchburg Recreation Center. Having a studio at Riverviews is another way in which I can continue to give a presence to art in the Lynchburg community and contribute to the renaissance of our downtown. Being a studio artist allows me to participate in the vision and mission of Riverviews while providing an outlet for my hope that art can be accessible to our whole community.

 Although I also have a studio in my home, what’s special about Riverviews is that I have a space I share with others where I can experiment, play, and explore new mediums in a non-judgmental, non-threatening, and non-competitive environment. I enjoy the constructive criticism that comes from being with other artists and relish sharing what I am doing as well as learning from them.

I share my space with two other artists. We have covered our studio wall and a portion of the floor with a huge tarp. When we want to work large, we tack our canvas or paper to the wall and brush with abandon! At other times we may cut and tear papers to do smaller and more intimate collages.

I believe that creating itself is an “art.” It means sharing ideas, encouraging others, and being open to the diverse views, methods, and styles of artists who may work diffently. By showing respect for and learning to appreciate the creativity of others we not only build community, we thrive.

I began in 1996 – painting, that is. I was studying with Kazuaki Tanahashi, a Zen master calligrapher and internationally recognized Buddhist scholar. The way to Zen, he said, was through the brush, to develop “brush mind.” So for ten years I tried, working only with ink and rice paper practicing Zensho, Zen brush writing. I did so primarily as meditation. Then something happened. I decided to take a sabbatical to move more deeply into my Zen painting and—like so many others cajoled by fantasy—to write the Great American Novel! And here was Riverviews Artspace, newly opened and eager to cultivate a living/working environment for artists, and others oriented by or enthusiastic for the arts, to do their own thing together. So in January of 2007 I rented a studio on the second floor and established ART daisetsu. (If you really want to know what that is go to www.bowdenartworks.com and hover on ART daisetsu—you’ll find out).

It may be from studying Mondrian or Duchamp, or it may be a love for modernism and art deco, but I’ve come to realize that brush mind is not just about ink and paper. It’s also part of a community where we work, exhibit, and discover art…where a critique or a fun conversation is just down the hall. However you account for it, my studio and my art are no longer just a sabbatical, they’re living. I’ve found only one other place where serious work was so satisfying I wouldn’t really call it “work.” And that’s why I’m at Riverviews.

Oh…the Great American Novel? Have you read it yet? If so, I’d love to hear what you think. Drop by Studio 210 or visit the web site and leave me a note on the “Contact” page.

The Party Palace offers a complete party experience where dreams come true for a day and the memories will last a lifetime.

Two hours of fantasy fun, tea and confections, formal wear and accessories, craft, fashion show, interactive drama, manners lesson,4×6 framed photo, jewelry gift, and treasures from our treasure box.

For young ladies ages 4 and up: Fairy Princess, Dolly and Me, and Mommy and Me Teas also available.

For young ladies 9 and over: Palace Idol parties. American Idol style complete with karaoke,  judges and awards.

For the Young at Heart: Girls Night Out and Milestone birthday parties available.

Contact and reservation information available at www.teapartypalace.com or call 528-3266.

Susan Williams, a former teacher and muralist, created The Party Palace in 2005 using her own unique vision of a fairy tale wonderland and a stupendous amount of glitter.

Jewelry making has always held a fascination for me.  I had a “table” at a number of early Greenwich Village Art Shows when I was a teenager, selling enameled copper jewelry.  More recently, in 2006 I learned how to make flamework (or lampwork) beads.  The magic of melting glass in a flame and creating a bead with that molten mass was intense and I haven’t stopped since.

I also have a passion for weaving and learned to pin-weave beautiful neckpieces, always finding a way to add colorful and/or silver beads to the pieces.  Most recently I discovered another kind of weaving called ply split braiding.  More and more this has become my big challenge not only to learn the various techniques, but put those skills into the creation of even more unusual jewelry.  I have been living and working at Riverviews since January, 2008.

A native Virginian who works and resides in Lynchburg, David Eakin received degrees in fine art from Ferrum College and Lynchburg College.

He has studied watercolor with Karen Bowden and Don Andrews, and watermedia with Robert Burridge, Carol Barnes, and Vera Dickerson. Since 1999 he has been studying oil with Rosalie Day White in Lynchburg.  For the past 11 years he has participated in the Summer Artists Program, Nimrod Hall, Bath County. He paints in oil as well as with acrylic and watercolor.

David serves as co-chair for the Annual Lynchburg Art Festival. In 1996, he joined Riverviews Artspace in Lynchburg. He is a signature member of the Virginia Watercolor Society.  His studios are located at The Art on 12TH Studios #7 located at The Art Box, 422 12th Street in downtown Lynchburg, and at Riverviews Artspace, 901 Jefferson Street, #206.

His work has been selected for juried exhibitions in Lynchburg, Lexington, Danville, Roanoke, Charlottesville, Blacksburg, Abington, Pulaski, Fredericksburg, Staunton, Hampton and Richmond as well as California, Pennsylvania and Maryland. He has received awards for his work in regional as well as national exhibitions.

David’s painting “Storm Front” (2006), “Approaching Storm” (2007) and Harbor Bridge (2010) received Awards of Excellence at the Virginia Highlands Festival Juried Fine Art Show. His painting, “Walk from the Mirador” (2009) received the Best in Show Award at the 37th Annual Lynchburg Art Festival.

He exhibits work at Pheasant’s Eye Gallery, Lynchburg; Signature 9 Gallery, Roanoke; the Lynchburg Art Festival & Art Club; Riverviews Artist’s Co-Op Gallery at Riverviews Artspace; and the Academy of Fine Arts in downtown Lynchburg.

His work can be seen at davideakin.com

What started out as a side project to our boring corporate lives has become a full-time job and way of life for us. We scoured barns and old factories for fun when we first met. We collected weird and unusual items from our nation’s industrialized past. We deconstructed three barns, an old school, and an old farmhouse. We always stopped in our travels to admire old buildings and the materials and craftsmanship used to create them.

Our passion is bringing old things to new life.

It all started when my father and I purchased a 19th-century church in Lynchburg’s Daniel’s Hill Historic District. Tackling all of the work ourselves, the restoration process has taught us about the skills and materials used decades ago. We look to preserve the integrity of that workmanship versus the typical cookie-cutter ways of today. We employ hard work to recycle old methods and materials to create functional spaces and unique furniture. We recover artifacts to restore and lengthen those material’s lives 100 fold. We strive to carry on the tradition of quality and craftsmanship that allows all the things we recover to still be around today.

www.loft3f.com

Michael Mewborn’s paintings, serigraphs and constructions are included in numerous private and public collections throughout the United States and Canada. They have been seen in many one-man shows, including art museums in Columbia and Charleston, South Carolina and Columbus, Georgia. His work has been selected for various invitational and juried group shows in New York, Washington DC, Virginia, North Carolina, South Carolina and Georgia. He was commissioned by IBM Corporation to produce a set of 20 serigraphs for their new office in Roanoke, Virginia, and by Westvaco Corporation to design and produce a large tapestry for the lobby of their headquarters in Covington, Virginia.

Most recently, one of his paintings, Ripples, was selected for the cover of the Fall issue of New England Review, a literary publication of Middlebury (Vermont) College. His work can be seen in galleries in Georgia, and South Boston, Richmond and Lynchburg, as well as in his studio. More examples of his work can be seen at his website at www.michaelmewbornart.com.

Name

Alexander, Holley 4F
Bailey, Angela 5B Filmaker
Bowden, Karen 206 Watercolor, Acrylic, Gouche, Oil  bowdenartworks.com
Bowden, Lawrence 210 Painting
Cornett, Barbara 5F Fiberworks
Crespo, Judi 4A / Co-Op Flamework Beads / Fiber Jewelry  judicrespo.com
Crockett, Bertha 212 Oil
Eakin, David 206 / Co-Op Painting
Ferguson’s Fine Art & Antiques 107
Gray, Janet T. 203 Handweaving
Harvey Design Land Architects 208 Landscape Architect  hdla.biz
Helms, Allegra 106 Photography  allegrasstudio.com
Hilt, Lynell 214 Handmade Jewelry
Hilt, Rudy 214 Fine Art, Architectural Design
Laughon, Rodney 212 Oil, Acrylic, Watercolor
Lotano, Gertrud 3C
Lozano, Luis 4B Oils apaintingyoucanstepinto.com
Mewborn, Michael 202 Acrylics / Serigraphs michaelmewbornart.com
Noon, Judy 5H / Co-Op Ceramic Artist
Saandholland, Susan 5E Photography
Spaces by a Little French 201 Interior Design
Tucker, Gay 212 / Co-Op Oils
Vaden, Katie Hill Co-Op Oils / Watercolor

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