The Riverviews Artists’ Co-Op Gallery represents many of the artists who are tenants of the facility. The original art ranges from realistic to abstract, the media from oils and acrylics to photography, needlework, encaustic, etchings and serigraphs. The gallery serves as a catalog of available styles and methods and points the way to more extensive offerings in the individual studios.

Every two months a new and different show is mounted.  A member artist is featured on the front wall.

The hours of operation are:
Wed – Friday, noon – 3pm
Sat & Sun, 1 – 4pm

The gallery is staffed by the artists who comprise the Co-op. The staff person on duty will be happy to discuss the artwork on display with you.

The artists (studios) currently being represented by the gallery and their usual media are:

Karen Bowden (206)
Watercolor / Acrylic / Mixed Media
www.bowdenartworks.com

David Eakin (206)
Oil / Acrylic
www.davideakin.com

Jane Garrett
Pottery

Rick Hughes
Digital Mixed Media
www.warmstreets.org

Jill Jensen
Quilt /Textile / prints
www.jilljensenart.com

Dave Keebler
Oil / Acrylic

Duane Nelligan
Oil / Watercolor / Pastel

Judy Noon
Ceramic and Sculpture (5H)

Purnell Pettyjohn
Watercolor / Oil

Patty Powers
Fiber Art
brooksidefiberarts.blogspot.com 

Rosalie Short
Oil
www.rosalieshort.com 

Gay Tucker
Oil

Katie Hill Vaden
Oil / Watercolor

Cindy Vener
Oil / Acrylic
www.cindyvener.com

Traditionally, Riverviews has welcomed the dog days of summer with light-hearted and unusual offering.  This July is no exception as we welcome the wonderful, whimsical work of LA-based sculptor, Benjamin Entner. The exhibition will open with a First Friday reception on July 6th and will run through August 26th.

 Benjamin Entner

Inflatable Still Lifes and Portraiture

 Drawing on his curiosities and inspirations, Benjamin Entner creates larger than life inflatable “still lifes and portraits”.  The works bridge the gap between 2D and 3D and have a sarcastic edge. With each piece, he strives to create something that is aesthetically pleasing, conceptual, and comical.

As a sculptor, with an inferiority complex with respect to the history and gravitas of painting, I am trying to elevate my craft by leeching from the qualities of drawing and painting. As I work on a project, I try to anticipate and plan for the viewers’ experience. I want to make viewers aware of themselves as they relate to my art.  I accomplish this by creating a presence of an object or installation that interrupts or intervenes in the passive viewing of a piece and invites an active experience with it. Within the gravitas of a typical art space, I also try to inspire a childlike nostalgia and wonder by engaging the viewer with an object or environment that is playful.

Formally trained as a sculptor, Entner received his MFA from Syracuse and his exhibited nationally and internationally, with recent solo shows in LA, Houston, Kansas City, and Berlin.

lkatt1

Co-op Gallery Artist Demo/Talk Every Third Thursday (room 110)

September 15, 12-1pm

Michael Creed

“Wood as a Foundation for Fine Art”

Bring lunch and join us!

AKC installation

January 7th – February 20th

Andrea Keys Connell presents life-size ceramic sculptures in the Craddock-Terry Gallery

Andrea Keys  Connell’s sculpture may be a bit unsettling when first entering the gallery.  While they are simply representations of Hummel figurines (dolls, really), their intent stares and tumultuous poses transform them into something entirely different.  They are at once fantastical, whimsical, and yet troubling. Keys Connell describes the concept behind her work:

The sculptures that I make are driven by a desire to investigate how an individual’ s personal history affects their identity, behaviors, and actions. I am especially interested in intergenerational trauma and how a person’s past, particularly a past that has been interrupted by a traumatic event such as war, can influence patterned behaviors that are passed through the family.I am exploring characteristics of the Western collective identity by referencing both Social Realist Monuments and Hummel Figurines. The rendering qualities of the Hummel figurine are a visual trigger of a specific language of social idealization of the child/childhood. Their chubby, red cheeks and full bodies, their curious, sweet gestures, doe eyes and sturdy wide stance represent health, happiness and an uncorrupt innocence. The Hummel is a symbol of unblemished purity. The pedestal that both the monument and Hummel are presented on is a stage that represents their unrealistic social idealization and removes them from reality. When the pedestal is removed, turned over, or sinking, their vulnerability is revealed and their true, flawed human psyche is apparent.

The Craddock-Terry Gallery supports the mission of Riverviews by exhibiting the work of professional level artists in a variety of media for the enrichment and enjoyment of the citizens of Central Virginia.

November 5 – December 19, 2010

The pieces selected by the juror represent the variety and breadth of work throughout the state.  Featuring 33 artists, the show consists of painting, sculpture, drawing, photography, and video. While the styles of work vary from conceptual to representational, all the pieces in the show compliment one another visually.  Artists include some past Craddock-Terry artists, Riverviews building artists, and many fresh new faces.  Virginia is a prolific and creative artistic region and Riverviews is pleased to represent the great work being developed here. The Regional Juried Art Show will be on display through December 19th.

Our juror, Emily Smith served, until recently, as the Curatorial Fellow in Modern and Contemporary Art at the Virginia Museum of Fine Arts. She has just accepted an exciting new position as the Executive Director of 1708 Gallery.  Smith received her MA in art history from the University of Virginia in 2002. Smith assisted co-curators John B. Ravenal and Matthew Affron on the exhibition Matisse, Picasso, and Modern Art in Paris, and she co-curated Labor and Leisure: Works by African American Artists in the VMFA Permanent Collections. Prior to her position at the VMFA, Smith was Director of Exhibitions at Piedmont Arts in Martinsville, Virginia, and the Assistant Director at Second Street Gallery in Charlottesville, Virginia. Her exhibitions include Hush Lush: Craft Materials in Contemporary Art (co-curated with Sonya Clark); Virginia Painters: Philip Geiger and Robert Stuart; and Ted Turner: A Retrospective.

works by MARC-ANTHONY POLIZZI

July 8 – August 22, 2010

The installations are constructed of large-scale found objects such as pianos and occupy entire walls and corners of the gallery.  The exhibition is colorful and contemporary with an appropriately summer-time focus on water.

Polizzi, originally from upstate New York, received his MFA from Tulane and is now living and working in Kansas City.  He has worked at Sculpture Space in NY and served as a visiting artist at PRATT and Tyler School of Craft.  Polizzi’s background is in glass-blowing, but over the past several years he has expanded his work, creating new pieces based on everyday objects which he can transform. Polizzi describes his work in his own words:

My work uses a process of reconstruction and unification to examine the domesticated chaos of the post consumer world. This area where the relatively ordered and relatively disordered coexist and interact might seem like a contradiction, considering the more austere and violent sense of chaos. However it is in this gray area in which I construct my work. These installations draw on the history and narrative properties of found objects, to bring out the human connection often lost in the glimmer and glitz of an ever growing material culture.

 January 8 – February 21, 2010

Riverviews began its 2010 exhibition schedule with four contemporary sculptors, Melody Gulick, Sarah Mizer, Jeff Vick, and Stephanie Williams, who are carving out a name for themselves in Virginia and beyond.  Showing a variety of stylistic approaches and media, these four artists exemplify some of the current trends in sculpture.  All four reside in Virginia, but exhibit their work throughout the US and abroad.     

A graduate of the Art Institute of Chicago and winner of a 2007 VMFA Mixed-Media Fellowship, Melody Gulick finds inspiration in everyday materials.  Her creations are the product of countless hours spent layering and transforming common materials such as newspaper.

Sarah Mizer completed her BFA from Alfred University and her MFA from VCU and has spent the past several years working as a glass and installation artist in Richmond.  Her work has been displayed throughout the US and is included in several corporate and private collections. Her glass installations utilize “translucency, subtlety, and serene quiet” to encourage the viewer to slow down and closely examine the rich layering of the work.  The installations reference root systems and the artists own personal history.

Jeff Vick, a professor of ceramics at VCU, creates work based on his memories of the natural world. He explains, “As I began work on this series, I reflected more and more on my affinity for the natural world and where that admiration germinated.  I remember clearly moments from my past when my mother, a biologist, would come to my grade school and show the class single cell animals through a microscope.  In addition, studying the collection of fossils that my grandfather kept in a glass cabinet always left me with a sense of fascination and curiosity.  As my interest grew, I researched microscopic images of seeds, pollen, and insects while also collecting actual seeds, leaves, shells, and fossils. I hope that viewers can imagine a story based on the work, but I also want the pieces to be appreciated for their workmanship and pure form.’

Stephanie Williams completed her MFA at Rhode Island School of Design in 2007.  She is currently living and working in Alexandria, VA.  Her work, created from wood, paint, ceramics, and found objects protrude from walls and floors, coming to life in the space. In her own words, the work “documents the spaces in between; the gaps between reality and one’s own interpretations of that reality.  I am interested in the myths that arise out of misinterpretations.  I am interested in the things people make up in order to understand the world, the stutter between thinking and knowing.  My works are portraits of these misunderstandings. Given a body, these myths take on a life and can be reinterpreted.”

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 November 6 – December 20, 2009

The pieces selected by juror Robin Nicholson, Deputy Director of Exhibitions at the Virginia Museum of Fine Arts represented the breadth of work in this region.  Featuring 28 artists from within a 150 mile radius of Lynchburg, the show consists of painting, sculpture, drawing, photography, live art, dance, and video.

Awards

1st Place: Thistle by Tamra Harrison-Kirschnik

2nd Place: Vive La France by Cameron Ayres

3rd Place: Unicycle by julio uchimura

nickel

July 3 – August 23, 2009

Richard Nickel is a painter and ceramic artist whose work addresses themes of love, power and absurdity through folk-art inspired imagery. Bright, fun, and colorful slab constructions mimic traditional ceramic vessels and sculptural wall platters use figuration and pattern to draw narratives dealing with family dynamics and power structures.  Born in Rochester, New York, Richard Nickel received a BS in Art Education from SUNY in 1996, and then received an MFA in Ceramics from Edinboro University of Pennsylvania in 2000. In 2002 he began teaching at Old Dominion University where he now serves as the Program Director for the Ceramics and Art Education Departments. As an artist, Nickel has participated in numerous national solo and group shows including recent exhibitions at the Virginia Beach Contemporary Arts Center, the Kellogg Gallery (CA), and Art Santa Fe.

January 2 – February 15, 2009

The show consists of 7 works by Claire Watkins. The work articulates the sculptural form of magnetic fields, explores the subtlety of touch, imagines systems found in the body and reflects forms found outside of it. Watkins interest lies in the transference of energy, how when talking on the telephone, the sound of your voice turns into light and then back to sound.

For this exhibition, Watkins traveled from NY to create 7 unique installations in the Craddock-Terry Gallery. The pieces feature magnets, motors, and pins that rotate and squirm, creating work that is literally always moving.  Small motors power lights, magnets pull pins up from the floor, and iron shavings dance around on a canvas made of graphite.  The entire gallery is alive with electricity.

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Some people who are at or who have passed through Riverviews

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